01.10 / 19:00
Performance
HORSE, THE SOLOS
Cullberg (SE) / Deborah Hay (USA)
"Horse is an exercise in survival. Why? Because that is all I care about", says Hay.
Strongly affected by climate change and the current world situation, especially in America, Deborah Hay’s new work for Cullberg Horse, the solos, is a meditation on survival or even an exercise in survival, inspired by all that is unseen in a single blade of grass. After the presidential election in November 2020, change is possible and the future brighter, but the year goes down in history as one of the most difficult for internationally active artists, without opportunities for travel or rehearsals in large groups.
In Hay's first original work for Cullberg, Figure a Sea in 2015, the dancers created and choreographed with Hay's practice during the performance. For Horse, the solos, Deborah Hay has created the material in Austin, Texas and partly rehearsed with the dancers on a link from Cullberg's studio in Stockholm.
“Horse, the solos is choreographed in a manner that relies on an intuitive understanding of risk, efficiency, and survival. There is control in efficiency but not risk-taking. Combined, they establish the conditions for Horse, the solos”, says Deborah Hay on her new work. “I am interested in choreography that does not look like anything and is performed by exceptionally astute and experienced performers. Movements are spare, disorienting, yet mysteriously human in their application within an inextricably bound space.” Deborah Hay
Horse, the solos was scheduled to premiere at the Dance and Theater Festival in Gothenburg last summer, but has been postponed several times due to the pandemic. The premiere took place at Dansens Hus, Stockholm, March 24, to an empty auditorium. At the same time, the shooting of the film Dear Dancer, about the work, started, with director Marcus Lindeen.
CREDITS
Choreography: Deborah Hay Lighting design: Minna Tiikkainen Sound design/Composer: Graham Reynolds Costume design: Behnaz Aram
With: 14 dancers in 2 casts of 7
Length: 50-60 minutes
BIOS
Deborah Hay
Born 1941 in Brooklyn, has achieved icon status among choreographers. Her work was formulated in 1960s experimental Judson Dance Theatre in New York, one of the most radical and influential post-modern art movements. Hay’s dances center on undoing the body’s reliance on learned behavior by enlarging the field from which a dancer can resource movement. She spent many years choreographing solo works for notable artists including Mikhail Baryshnikov. The choreographer William Forsythe helped influence her international career after seeing the premiere of her quartet The Match in 2005 at the Montpellier Dance Festival. She has been awarded many grants and awards including the inaugural and groundbreaking Doris Duke Artist Award in 2012. On May 5, 2015 France’s Minister of Culture and Communication awarded Hay the title of Chevallier de L’Ordre Des Arts et Des Lettres.
In 2015, Deborah Hay created the work Figure a Sea directly for Cullberg Ballet, to music by Laurie Anderson. The work has been highly acclaimed by audience and critics all over the world, toured in the US, and all over Europe and been presented at prestigious festivals such as Montpellier Danse and the International Festival of Contemporary Dance of the Biennale di Venezia in 2018. 2019-2021, Deborah Hay is associated artist at Cullberg.
Minna Tiikkainen
Lighting Designer Minna Tiikkainen born 1969 in Helsinki, Finland, started her experiments with light while studying fine arts. Her fascination with the immaterial quality of it led her to enrol in the Theater Academy of Finland, from where she graduated with an MA in Lighting Design. Since moving to Amsterdam early 2000, she has been working mostly within the field of performing arts and contemporary dance both in The Netherlands and abroad. She has also created several set designs as well as lighting designs for exhibitions. Her work is described as strong in its simple minimal approach and is especially appreciated for its significance for the totality of the performance. She received “SÄDE AWARD for best lighting design in 2012” from the Finnish Association of Lighting Designers for her work on GRIND.
Graham Reynolds
Based in his Red House Studio in Austin, TX, Reynolds balances scoring work with album production, community endeavours, and live performance. Reynolds has been composing for dance for more than twenty years. Frequent collaborators include Stephen Mills and Ballet Austin as well as Allison Orr and Krissie Marty of Forklift Danceworks. His work is featured in the Silver Docs award-winning Trash Dance. Reynolds has scored over seventy films and TV episodes. His collaborations with Richard Linklater include the films Last Flag Flying, Bernie, Before Midnight, A Scanner Darkly, and the film Where’d You Go Bernadette, starring Cate Blanchett.
Behnaz Aram
Behnaz Aram was born 1978 in Iran and came to Sweden at the age of 7. She had an early interest in drawing and fashion design and studied at the London College of Fashion and later Middlesex University where she graduated with a BA Fashion Design Degree. When she returned to Sweden, she started her own brand Behnaz Aram and worked as a costume designer and stylist. From 2006-2011 Behnaz was head of the women's collection at Whyred and since 2011 she is a concept designer for H&M's &Other Stories. Behnaz has styled artists and music videos and created costumes for several Swedish stage productions, among them, at the Royal Opera, Folkoperan, Riksteatern, Wermlandsoperan, Drottningholms Slottsteater, Göteborgs Stadsteater, Judiska Teatern, Norrlandsoperan and Jernverket in Iggesund.
Cullberg
Cullberg is the national and international repertoire contemporary dance company in Sweden, continuously co-creating to make cutting edge dance relevant for the many. Together with choreographers from all over the world, we are exploring ideas on how dance can be defined, produced and presented. Those explorations are the pillars of a company that is constantly in motion at the heart of the international arena. 2019-2022, Cullberg works exclusively with three associated artists: Alma Söderberg, Deborah Hay and Jefta van Dinther. The core of the company consists of 17 extraordinary individual dancers with a central role in the creations. Cullberg’s works emerge from the times we are living in, as part of the socio-political environment including equality, diversity and sustainability. Cullberg is led by artistic director Gabriel Smeets and managing director Stina Dahlström. Cullberg is part of Riksteatern – The Swedish National Touring Theatre.